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Paper Mill


The Provincial Paper Mill





 

The Freeholder, Cornwall, Ont.
February 26, 1904
“Wellington Manson placed the first
stone on the ground on Tuesday for the
new papermill”.


   The small stone mill shipped paper to markets across Canada but in a short time ran into financial trouble in 1909 and was bought by  Americans from Kalamazoo, Michigan. The new owners expanded the mill  and by 1945 were employing more than one hundred  workers.
   Then Provincial Abitibi bought the mill and produced paper from recycled paper and rags and the workforce increase to over 200. First called St. Lawrence Paper company the  name was eventually changed to Provincial Paper and production  continue until the seaway project in the 1950s 
 

 

PHOTOS FROM THE  LYALL MANSON COLLECTION




The old watertank being replaced












GROUP PHOTO CIRCA 1950

Back left  to right:
John Arbuthnot, Roy Warner, Doug Kyer,
Jack Major, Ralph  Freeman
Middle left to right:
Aurele Portland, Art Cooper,
Asa Sturgeon, George Russell, Ross Thompson
Front left to right:
Ralph Rupert, Morley Buchner,
Fred Buckland, Morris  Manson

 


CLICK












The note on the above wooden chest reads:

QUARTER CENTURY CLUB
AT
MILLE ROCHES PAPER MILL

The 46 men and women of the
Mille Roches Provincial Paper
Mill who were recognized for
membership in the Provincial
Paper Quarter Century Club in  1949




Click on the image above for
more inside views  from the
Marion Wilkins collection
(this is a large 1 meg jpeg)

















GOING FOR  WATER


   These photos show that at least on two  occasions there was a need to extend the water intake for the  papermill out beyond the old section of the canal and into the deeper water of the old riverbed when Bergin Lake was drained or dewatered for unknown reasons when these photos were taken. 
   It is likely that some maintenance was necessary on some structure along the Cornwall Canal or it was also the practice to lower or drain sections of the seaway system to speed up spring break up of ice.

 



CLICK HERE FOR MORE PHOTOS AND DETAILS



   Scuba diving trivia.
   The remains of the papermill are situated on  land that is slightly higher than the surrounding area, the good  thing is that today it is relatively shallow but this of course means that the current is going to be faster. Currents will vary noticeably depending on the level of the lake and how much water is  going through the dam.  BTW, just east and south of Strachen Island, or on Lock 20, there is little current because it’s all big  water, regardless of how close the hydro dam may appear.
 
   Most of the stone and brick walls were  leveled off and the surrounding area almost has a landscaped appearance, no abrupt chances in elevation one would expect with the  old foundations and structures like the rail docks.
   During demolition a handy practice was to just shove debris through  holes in the production floor and into the basement. The boiler  house with its thick walls of concrete was collapsed in on itself and the basement is full of large broken slabs with reinforcing steel rods (rusty) protruding out from the  edges.

   Due to this site being so much larger than any shipwreck, there is enough left to see.

   “back in the early 1980 and prior to the introduction of zebra mussels to the lake, a dive to the front of the papermill revealed a history of  attention paid to detail when it came to the main entrance and  surrounding flowerbeds”.
   “With everything wiped  clean of any organic material one was able to see in detail that the original gate(s) and sidewalk had gone through various alterations  and constant upgrading.  An older wooden gate post was carefully cut off just below ground level and extra concrete added  to smooth the transition where the two sidewalks met at the road”.
     “I haven’t been back to this  underwater site since the introduction of zebra mussels but they are  notorious for covering hard surfaces and the surrounding area gets littered with their empty shells to the point were the finer details are totally obliterated”, John vanBaal



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